The collection includes class notes and a clipbook of decorative styles compiled by Ethel Epstein (who later used the surnames Dean and Evans) when she attended the New York School of Fine and Applied Art (later Parsons School of Design) in the Interior Architecture and Decoration Department, around 1925. Also includes textile samples, circa the 1950s, and costume designs for the Broadway play "The Laughing Woman" (1936).

Jane Campbell Bannerman studied graphic design and illustration at the New York School of Fine and Applied Art (now Parsons School of Design), graduating in 1930. She worked for several firms as a graphic and interior designer, and later opened her own interior design business. The collection mainly consists of student work, commercial design work, and travel watercolors, as well as clippings, photographs, and printed items.

The collection consists of eight notebooks kept by Mariette Cassels (1905-1993) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons The New School for Design) in 1930-1931. Includes lecture notes, photographs, postcards, clippings and sketches of furniture and decorative moldings.

A student notebook kept by Marion Reed, who attended Parsons School of Design's Paris Atelier in the summer of 1927. The notebook contains lecture notes, postcards and class handouts.

Collection contains materials created by academic departments of Parsons School of Design. In addition to documentation of Parsons' main campus in New York City, includes materials originating from overseas facilities and affiliate schools, such as Otis Art Institute (California), Paris Ateliers/Parsons Paris, and Altos de Chavon (Dominican Republic).

The Parsons School of Design Centenary Oral History Project consists of recorded sound interviews with twelve individuals as well as two audio monologues by the project's manager, Martica Sawin. The interviews, recorded in 1994, cover the history of different academic departments and design disciplines over the course of the twentieth century as experienced by former and then-current instructors and administrators. Recordings are all in English.

This collection consists of publications from Parsons New School of Design and its affiliate programs, including catalogs for overseas schools, and continuing education and AAS programs. Catalogs hold information on school policies and admissions requirements, course descriptions, faculty rosters, and examples of student work. Materials for the years 1896-1912 consists primarily of photocopies of print advertisements for the Chase School of Art.

Printed publicity materials including but not limited to circulars, mailers, promotional booklets and pamphlets, and postcards generally advertising Parsons School of Design, or a particular course or program of study not connected to a specific department. Also includes a small number of audiovisual recordings in various formats, presumably made for promotional purposes.

Includes 1,425 photographs, contact sheets and negatives documenting Parsons student and campus life, including exhibitions, award and fashion shows, guest lectures, field trips, and campus construction projects.

This collection consists of correspondence, clippings, and research related to the Parsons table, a conceptual table design thought to have originated at the Paris Ateliers, the precursor to Parsons Paris, in the 1920s or 1930s and often attributed to French designer Jean-Michel Frank (1895–1941). The materials were assembled by the New School Archives staff as part of a Parsons School of Design Design and Management Department project in 2002.