Audio interview with Benedict J. Fernandez, 1994 Feb 22
Scope and Contents
In this audio interview with Martica Sawin, Benedict J. Fernandez recounts joining the staff of Parsons School of Design, initially as a darkroom technician in the Graphic Design Department under the leadership of James Frangides, and subsequently establishing the Photography Department in 1978. He mentions recruiting Richard Avedon to teach Alexey Brodovitch’s “Design Laboratory” course. Fernandez discusses photographing Martin Luther King, Jr. in the early 1960s and later anti-war protest movements, including the "My God! We're Losing a Great Country" exhibition held at Parsons. Also discussed in the interview is the FOCUS program, a student exchange between Parsons students and Russian photography students between 1988 and 1993.
Dates
- 1994 Feb 22
Participant Biography
Benedict J. Fernandez III was the founding chair of the Parsons School of Design Photography Department from 1981 until he stepped down in 1992.Fernandez was born in 1936 in Harlem. After Alexey Brodovitch asked him to join Brodovitch's Design Laboratory in 1963, Fernandez accepted a job as a darkroom attendant at Parsons School of Design and built up a photography, which was attached to Communication Design until it became an independent department. Simultaneously, he ran the Photo Film Workshop, a photography session for low-income youth that met in the basement of the Public Theater. In his professional career, Fernandez is recognized as a seminal photographer of Martin Luther King, Jr. and the anti-Vietnam War protest movement. He has photographed subjects as diverse as biker gangs and the architecture of Ellis Island. After leaving Parsons, he founded the Hoboken Almanac of Photography and the Almanac Gallery in Hoboken, New Jersey, and served as a senior fellow at the Corcoran Museum in Washington, DC. He also served as a fellow to the National Academy of Arts and Sciences and Senior Fulbright Research Fellow, and is the recipient of both a National Endowment for the Arts Grant and the Guggenheim Fellowship. His work is in the permanent collections of the Smithsonian, the MoMA, and many other prestigious institutions.
Container Summary
01:36:02 duration; Includes PDF transcript