Box 3
Contains 37 Results:
Orchestra parts, manuscripts, 1924-1926
String, wind and brass parts
String parts, manuscripts, 1924-1926
Violin 1 and 2, cello, viola, contrabass
Wind and percussion parts, manuscripts, 1924-1926
Flute, clarinet, oboe, bassoon, contrabassoon, horn, trombone, timpani
"A Cricket" words by Roberta T. Swartz, photostat, 1927 June 30
Song for soprano and piano in E minor, Allegretto
"A Revocation" madrigal for 5 voices (SSATB), words by Sir Thomas Wyatt, 1926 July 17-24
Pencil sketch and 3 manuscripts, A minor, Allegro molto moderato
"Art Thou Pale" madrigal for 3 voices (SSA), words by Percy Bysshe Shelley, 1926 December 24
2 manuscripts, 1 bound copy; D minor, con moto (tempo ad libitum)
"Aubade" madrigal for mixed voices (SATB), words by William Davenant, 2 manuscripts, undated
Manuscript and pencil sketch; E flat major, Allegro moderato; Inscription: by "The Count O'Poynte"
"Bed in Summer" words by Robert Louis Stevenson, and "Leaves" words by Richard Ashton, 2 manuscripts, 1924 February-1925 March February
Manuscripts; song for soprano and piano; E minor, Allegretto; the same music is used for both poems; Ashton's lyrics written in pencil on the original
"Buildings" words by Robin Christopher, photonegative, 1927 June 26
Song for soprano and piano in F major, Allegretto con moto. Inscription: Easthampton, June 26, 1927
"Come Unto These Yellow Sands" words by William Shakespeare, photostat and sketch, 1929 February
Song for solo voice and piano; A major, Allegretto lusingando