Student work and a syllabus from two fashion design courses Patrick Michael Hughes taught at Parsons School of Design between 2007 and 2010. The courses, History, Culture, Society and Themes in Men's Fashion are repesented through notebooks, drawings, and papers. Additionally, the collection includes an independent study project based on the men's suit and a project created in a class taught by Hughes's colleague, Lisa SantaAndrea.

With a career that spanned the 1930s to the 1960s, Raymond Driscoll (1915-2004) was perhaps most widely known for his annual best and worst-dressed lists. He also gained recognition for his costume designs for Mexican film stars. The collection consists of Driscoll's scrapbook of photographs, clippings, invitations, and greeting cards from celebrities documenting his work in the 1940s and 1950s, as well as original fashion sketches.

Robert Mackintosh (1925-1998) was a costume and fashion designer whose design career spanned forty years and twenty Broadway productions. He made his Broadway debut designing costumes for the 1952 musical Wish You Were Here. In the 1960s, Mackintosh branched out into womenswear design with Musette, a juniors label, which was sold at Bergdorf Goodman and Saks Fifth Avenue. He went on to design various other womens and menswear lines in the 1970s.

The bulk of the collection consists of costume sketches, technical sheets, and swatches from theatrical productions, including The Last Minstrel Show, and Mame. Also included are clippings, fashion publicity, and promotional photographs, as well as approximately 150 women's fashion sketches, and nine menswear sketches.

Roy Little graduated from Parsons School of Design in 1949 and went on to become a designer for renowned French couturier Jacques Fath. He returned to Parsons as an instructor in 1958 and remained in that position until 1979. The nine numbered sketchbooks held by the New School Archives represent Little's work for Fath.

Sherl Nero (1939-2006) was a fashion and textile designer who graduated from Parsons School of Design in 1962 and worked in sportswear design before joining the Design Works of Bedford Stuyvesant (DWBS) in 1971. DWBS was the brainchild of Jacqueline Kennedy Onassis and designers Doris and Leslie Tillett. With financing from the Bedford Stuyvesant Restoration Corporation, the Black-owned business produced African-inspired designs for fabrics and homewares.

This collection contains design material made by Nero at DWBS and from her work as a designer for Burlington Domestics, Aberdeen Inc., and other home textile companies. Also included is biographical material documenting Nero's achievements throughout her career and her trajectory from a fashion student at Parsons to design director for a large home textiles company.

Collection mainly consists of publicity photographs, press clippings, fashion show programs, and other materials related to the fashion design career of Stephen Walton Biddle Mason, Jr., known professionally as Stefan, between the mid-1940s and early 1960s.

After graduating from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1934, Tom Brigance (1913-1990) became a fashion designer specializing in women's swimwear and sportswear. The collection includes scrapbooks of clippings and photographs of Brigance's designs, sketches, publicity materials, and four original fashion illustrations of Brigance swimwear by Dorothy Hood, produced for Lord & Taylor.

Contains eight watercolor sketches by Frawley, who graduated from Parsons School of Design in 1983 and returned as an instructor from 1989 to 1996. Frawley is known for his illustrations in Parsons classmate Isaac Mizrahi's The Adventures of Sandee the Supermodel.

After graduating from Parsons School of Design Fashion Design Department in 1973, Zack Carr (1945-2000) worked for B. Altman, Donald Brooks and, most importantly, as creative director for Calvin Klein. In 1984, Carr started his own line, the Zack Carr Collection, before rejoining Calvin Klein in 1987. The papers consist of items produced and compiled between 1969 and 2000, including idea books, photographs, clippings, student work, and sketches.