Milton S. Gilbert (1913-1976) was a professional hair stylist and entrepreneur, who apprenticed with Antoine of Paris, worked in the New York and Chicago Saks Fifth Avenue salons, and later owned beauty salons throughout the midwestern United States. The collection includes newspaper clippings, a business card and envelope, a photograph, and a biography by his daughter, Carol Diane Stewart.

The papers of M.S. Handler, a foreign correspondent for The New York Times and United Press Association, among other news outlets, includes correspondence, photographs, draft writings, research files, and press clippings. The records date from the early 1920s through 1981, with the bulk created between 1942 and 1969.

The New School Art Center was established in 1960 with a donation from the Albert J. List Foundation, and remained in operation until around 1977. Directed by Paul Mocsanyi, the Center reflected the New School's commitment to engage provocative subjects, using art to explore contemporary political and social issues. Mocsanyi's files also document the founding of the Collectors Institute, an organization for private collectors established in 1973.

Materials include exhibition catalogs, artist files, press coverage, posters, fliers and other publicity, administrative correspondence, and photographs, as well as the files of Paul Mocsanyi.

This record group consists of photographic records created, commissioned and compiled by The New School's Communications and External Affairs office. The collection consists of images of campus facilities, faculty and administrators, dominated by images of Parsons School of Design classes, the Parsons fashion critics awards, commencement ceremonies, and guests of Inside the Actors Studio. While there are photographs from earlier decades, the prints, negatives, transparencies, and thumbnail printouts of digital image files largely represent the university in the 1990s through early 2000s.

This record group documents the activities of The New School's Communications and External Affairs (CEA) office, one of the university's largest administrative units. CEA was the successor administrative unit to the New School Publicity Office, and the New School Communications Office, respectively. The bulk of materials here date from the late 1990s through 2013, and includes digital photographs, printed publicity samples, posters, and project files consisting of analog and digital records from the Design and Publications Office of CEA.

The New School Office of the President laserfiche files were created by the Process Improvement Office at The New School in 2014-2015. The collection consists primarily of electronic files dating from the New School presidencies of Jonathan F. Fanton and Bob Kerrey, including remarks by New School officers and others. A large portion of the files comprise photographs from events hosted by the New School President and Board of Trustees.

This collection primarily consists of photographs of New School students, faculty, administrators, buildings, class sessions, student life, and events. While the photographs span the period between 1933 and 1984, most of the photographs are concentrated between the 1940s and the 1970s.

The School of Jazz and Contemporary Music was established at The New School in 1986. These records, largely compiled by former dean Martin Mueller, cover the School of Jazz from its inception through Mueller's retirement in 2016. Includes administrative files pertaining to program planning, publicity materials, budget and fund raising, promotional materials, and photographs and event records documenting visiting artists, special events, classes, and student performances.

The School of Media Studies began as the Center for Understanding Media. Accredited through Antioch College, the program offered courses through the New School for Social Research. The New School formally absorbed Media Studies in 1975, after a four-year partnership. The records consist of curricula vitae, files, reports, syllabi, posters and other printed publicity materials, and student work.

Norman Norell (1900-1972) was the first American fashion designer to compete successfully with French couture. In 1943, he received the first Coty American Fashion Critics Award, and was inducted into the Coty Hall of Fame in 1956. Norell served as a visiting critic at Parsons School of Design from 1943 to 1972. The collection includes biographical material, clippings, sketches, photographs, scrapbooks, and five examples of Norell's clothing.