The New School Archives And Special Collections

This collection contains holiday cards, illustrations and children’s books sent to Barry Parnell by illustrator Quentin Blake and author John Yeoman over the span of nearly fifty years, testament to their lifelong friendship. 

Bea Feitler (1938-1982) graduated from Parsons School of Design in 1959 with a degree in Graphic Arts and Advertising. She went on to a noted career as a designer of books, magazines, posters and more. Feitler served as art director for Harper's Bazaar and Ms. magazines; consulting art director for Condé Nast; and designer for Rolling Stone magazine. Professional work in this collection includes layouts, dummies, and other pre-press items.

The collection also contains photographs and contact sheets by a number of the distinguished photographers with whom Feitler worked. Personal materials include mail art, correspondence, photographs, scrapbooks, ephemera, original drawings and collages.

In 1960, Bess Bernard established her own company, Bernard Design International, Ltd., specializing in interior design projects for commercial and residential spaces. The collection (1960s-1980s) consists of forty-two watercolor and pencil renderings produced by various artists for Bernard Design International.

Biomedical Research in the 21st Century was a seminar series hosted by Eugene Lang College's Science, Technology and Society program in the fall semester of 1998. Organized by New School professor Katayoun Chamany and Louis M. Aledort, a hematologist at Mount Sinai School of Medicine, the series featured lectures by physicians and scientists on topics related to biomedical research. The collection consists of thirteen video recordings of the weekly sessions.

Bob Adelman (1930-2016) studied photography with Alexey Brodovitch at The New School in the 1950s and became one of the photographers regularly documenting the life of the New School in the 1970s and 1980s. Adelman also taught at the school and was one of the most well-known photographers of the Civil Rights Movement. This collection consists largely of black and white photographic prints taken for the New School for Social Research.

The collection also includes a small group of prints representing Adelman's work in documentary journalism, including photographs of Malcolm X and Martin Luther King, Jr., as well as photographs documenting life in New Orleans and Moscow, and the New York City Housing Authority.

The collection consists of approximately 500 professional illustrations by Parsons School of Design alumnus Bob Hiemstra, from the beginning of the 1980s into the early 1990s, when he produced fashion and spot illustrations for a wide range of magazines, newspapers, cosmetic companies and department stores.

American fashion designer Bonnie Cashin (1908-2000) had a longstanding partnership with manufacturer Philip Sills and Co., spanning 1953 into the mid-1970s. This collection represents 65 fashion photographs, some with accompanying press releases, from 1967-1968.

Contact sheets, film negatives, and individual photographic prints by Bonnie Geller-Geld, documenting events and classes at The New School, circa 1986-1994. Events include performances, lectures, and panel discussions, and classroom scenes include students working on art and design projects, in music classes, and sitting in lectures.

Interior decorator Bruce Buttfield (1897-1969) made his mark in the 1930s by creating distinctive furniture and rooms. In 1931, he designed the interior of the original Whitney Museum building on Eighth Street in New York City. The collection includes photographs and color renderings of Buttfield interiors.

Completed by Burton Schuman while a student at Parsons School of Design in 1947-1948 for an advertising design class taught by Betty Carter, the collection includes sketches, illustrations and advertising designs.