Abstract Arnold Eagle (1909-1992) emigrated to New York from Hungary in 1929. He became a documentary photographer in the 1930s and, in 1945, he was hired by Standard Oil of New Jersey to produce a visual record of the benefits of oil in the lives of everyday Americans, and, in the process, created a broad photographic record of American life during the 1940s. Later, Eagle's work encompassed subjects ranging from modern dance to corporate workplaces. In 1955, Eagle joined the faculty of the New School for Social Research, where he taught photography and filmmaking until shortly before his death. The collection consists of black and white photographic prints produced by Eagle, primarily from the 1940s and 1950s. The photos predominantly document landscapes, human labor and machinery at industrial and agricultural sites around the United States, Mexico and Cuba. Industries represented include cabinetry, mining, and mattresses; agricultural operations include sugar cane...

Summary

Bob Adelman (1930-2016) studied photography with Alexey Brodovitch at The New School in the 1950s and became one of the photographers regularly documenting the life of the New School in the 1970s and 1980s. Adelman also taught at the school and was one of the most well-known photographers of the Civil Rights Movement. This collection consists largely of black and white photographic prints taken for the New School for Social Research.

The collection also includes a small group of prints representing Adelman's work in documentary journalism, including photographs of Malcolm X and Martin Luther King, Jr., as well as photographs documenting life in New Orleans and Moscow, and the New York City Housing Authority.

Abstract

Contact sheets, film negatives, and individual photographic prints by Bonnie Geller-Geld, documenting events and classes at The New School, circa 1986-1994. Events include performances, lectures, and panel discussions, and classroom scenes include students working on art and design projects, in music classes, and sitting in lectures.

Abstract

Collection consists of photographic slides depicting fashion runway shows compiled by freelance photographer Charles Gerli. Photographs were taken by Gerli, Dan Lecca and Corina Lecca for various magazines. Designers and fashion houses represented include Bill Blass, Chanel, Christian Dior, Dolce & Gabbana, Christian Lacroix, Lanvin, Calvin Klein, Michael Kors, Ralph Lauren, Valentino, Adrienne Vittadini and many others.

Summary

Charles Harbutt taught photography at Parsons School of Design from the early 1990s until his death in 2015. He served as the president of the photographic cooperative Magnum twice, and his work appeared in many publications and exhibitions. The collection consists of material created and assembled by Harbutt for his Parsons classes.

Summary

Seven black and white photographic prints by New York-based photographer Hank O'Neal, from a series documenting artist Richard Hambleton's Shadow Man paintings, which were painted on the walls of buildings around Manhattan's East Village in 1981 and 1982.

Abstract

This collection contains 85 photographs by Leonard Freed, an American photojournalist known for his coverage of the American civil rights movement of the 1960s. The photographs include candid depictions of underrepresented American communities, the civil rights movement, and European street scenes.

Summary

Occurring annually between 1981 and 1989, the Focus Photography Workshops offered a week-long immersion in a specialized area of photography with a public lecture series running during the same period. The workshops were targeted toward non-degree students with advanced photography skills. This collection includes audio recordings from the Focus lectures by professionals in the fields of photojournalism, advertising and fashion photography.