Herbert Sondheim (1895-1966), who lectured at Parsons School of Design in 1946, ran a dressmaking firm that produced affordable versions of Parisian high-end fashion. The collection consists of nineteen Herbert Sondheim, Inc. scrapbooks, most of which contain fashion sketches. Some books include sketches depicting work of other couture houses. Two books contain news clippings, photographs and correspondence from the mid-1940s.

J. Hyde Crawford (1930-2013), an alumnus of Parsons School of Design, was a successful fashion illustrator associated with Bonwit Teller department store. This collection is comprised of approximately fifty original drawings and one hundred clippings and tearsheets documenting Crawford's illustration work.

James ("Jim") Howard is a fashion illustrator. The Jim Howard fashion illustrations consist of a portfolio of nine drawings executed in the 1970s and 1980s and a self-published monograph.

A collection of eighteen 1940s and 1950s fashion and jewelry illustrations collected by art director Juke Goodman. Artists represented in the collection include René Robert Bouché, Burma Burris, Carl Erickson ("Eric"), Ruth Graftstrom, and Jacqueline Lindner. Goodman served as art director for Saks Fifth Avenue and was a visiting lecturer at Parsons School of Design.

The Lucie Porges fashion design papers include biographical materials, fashion sketches, fashion illustrations and fashion photographs, and teaching records. It is of a primarily professional nature, with little documentation of Porges's personal life. The primary activities documented are Porges's fashion design work for Pauline Trigère and her teaching activities at Parsons School of Design.

The Margaret Susan Daniell papers consist of biographical materials, a student notebook and drawings from her education at Parsons School of Design in the late 1920s, and two photographs. Daniell (1907-1998) studied fashion design at Parsons and later worked at Paramount Studios.

Mary Frances Gettrust graduated from the New York School of Art (later, Parsons School of Design) in 1939 with a diploma in Costume Design and Illustration, and served as an instructor of Costume Illustration at Parsons in the 1940s. The collection consists of a partial student notebook of costume sketches, printed samples of Gettrust's work as a fashion illustrator, correspondence from Parsons Alumni Association, and Parsons-related ephemera.

Fashion illustrator Michaele Vollbracht (1947-2018) graduated from Parsons in 1968, and returned periodically as a visiting critic. After working as a design assistant for Geoffrey Beene, Donald Brooks, and Norman Norell, Vollbracht turned to fashion illustration and portraiture. In 1985 Vollbracht published Nothing Sacred, an illustrated memoir, and in 2000 Parsons mounted an exhibition to celebrate the release of an updated version of the book.

The bulk of the collection is comprised of fashion illustrations and designer portraits Vollbracht created for a 1972 fashion show celebrating Parsons School of Design's 75th anniversary and the establishment of the school's Gimbel Library. Also includes a sketch of Vollbracht's iconic Bloomingdale's shopping bag of 1975.

Contains the records of the Fashion Design Department of Parsons The New School for Design. Records include course syllabi and descriptions, look books, clippings scrapbooks, student work, and annual fashion benefit planning records, photographs, and programs.

Fashion illustration by René Robert Bouché depicting American fashion designer Sophie Gimbel. The illustration appeared in the April 15, 1961 issue of American Vogue with the caption, "Sophie's sari tactics for short evenings." A framed reproduction of this illustration hung at the entrance to Parson School of Design's Adam and Sophie Gimbel Design Library on West 13th Street. The portrait was taken down upon the 2014 closure of Gimbel Library.